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--> --> WashU Libraries Menu back to library.wustl.edu Research & Database Support Articles, Cataloges, and Databases A-Z Database Guide --> Request via ILL | Primo | MOBIUS |--> Other Catalogs | Ask Us Your session will expire automatically in 0 seconds. Continue session End session now --> SearchType WORD(S) TITLE AUTHOR JOURNAL TITLE SUBJECT (LC) MeSH SUBJECT LC CALL NO NLM CALL NO GOVT DOC # OTHER CALL NO ISN OCLC NO RECORD #   Search   Search Scope Law Library Medical Library All Washington University Libraries   Mark box to limit search to items available in the library. The MOBIUS catalog will become search-only on April 18. Materials borrowed from MOBIUS will be due on May 17 and cannot be renewed. Please request materials using Interlibrary Loan. Login to ILLiad Author Burke, Patrick, 1975- author. Title Tear down the walls : white radicalism and black power in 1960s rock / Patrick Burke. Published Chicago : The University of Chicago Press, 2021. Copyright ©2021 Description 225 pages, 12 unnumbered pages of plates : illustrations &＃59; 23 cm LOCATION CALL # STATUS  Gaylord Music Library Bsmt Books    ML3917.Un3 B87 2021  Browse Nearby Call Numbers  NOT CHECKED OUT Text message will contain the title, location, and call number of the item on this page. Text messaging charges may apply depending on your cell phone plan. close    Summary &＃34;Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock--white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called &＃34;white allyship.&＃34; This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective&＃34;-- Provided by publisher. Bibliography Includes bibliographical references and index. Contents Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18. Local Note Washington University Faculty Author Collection. Subjects Rock music -- Social aspects -- United States -- History -- 20th century. Rock music -- United States -- 1961-1970 -- History and criticism. Black power -- United States -- History -- 20th century. Music and race -- United States -- History -- 20th century. Subject Keywords Black power. Music and race. Rock music. Rock music -- Social aspects. United States. Genre/Form Criticism, interpretation, etc. History. Local Term Burke, Patrick, 1975-. Faculty author Music Dept., Washington University in St. Louis. Washington University (Saint Louis, Mo.). Faculty Author Collection. Collection ISBN 9780226768182 hardcover 022676818X hardcover 9780226768212 paperback 022676821X paperback 9780226768359 electronic book OCLC/Bib Util # 1198989315 Permanent URL for this record: https://catalog.wustl.edu:443/record=b8883754~S2 This page contains enriched content visible when Javascript is enabled or by clicking here. Medical Campus Patrons contact Becker Medical Library Services Problems? Tell us!--> For Students For Faculty For Staff Visitors & Alumni Ask Us Research Support Staff Directory Make a Gift University Libraries MSC 1061-141-B Washington University in St. Louis One Brookings Dr. St. Louis, MO 63130 Facebook Instagram